In the latest issue of Radical History Review that focuses on Photography and Work, my extended photo-essay, “Portable and Precarious: Life and Spectacle in China’s Construction Camps,” explores the relations betwen mobile cinema and the portable life of migrant workers inside China’s construction compounds. “[W]hereas shipping containers are transported between seaports and other logistic centers that are mostly devoid of humans, dormitory containers are packed with migrant bodies to be disciplined, exploited, and recuperated. In short, far from being the abstract imagery of capital, these are palpable and yet hidden landscapes of extraction…”